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Striking Impressions

Phrenology

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Phrenology

phrenology:

pseudoscientific method of predicting character and mental abilities from the shape of the head

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Some account of Dr. Gall's new Theory of physiognomy by Henry Crabb Robinson

London, 1807

Page of a book with an illustration of a human skull. The skull has irregularly shaped and numbered areas marked out on the upper part.

In 1805, Franz Joseph Gall (1758-1828) first publicly presented his theory that a person’s character and mental abilities could be detected from the shape of their skull. He claimed the brain was composed of ‘cerebral organs’, each controlling a personality trait. In his theory, the strength of each organ corresponded to its size in the brain, and the skull fitted tightly around these organs so the resulting bumps could be perceived on the outside.

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Ink well in the form of a phrenology head

England, mid 19th century

Ceramic ink well in the form of a head on a plinth. The upper left half of the head is divided by lines into irregularly shaped sections, with the most sections clustered on the forehead and around the eye. The sections are numbered and labelled: form, individuality, eventuality, comparison, benevolence, veneration, locality, causality, imitation, hope, conscientiousness, language, order, time, wit, wonder, number, tune, ideality, constructiveness, acquisitiveness, cautiousness, secretiveness, destructiveness.

Phrenology became a popular reform movement. An analysis was thought to show a person’s weaknesses, which could be corrected by targeted education. Model heads with the ‘cerebral organs’ mapped were mass manufactured for use by the huge number of professional and amateur phrenologists. This one was sold by Frederick Bridges, a famous English phrenologist, and owned by a medical student at Aberdeen.

“let the student keep a marked bust frequently before his eyes, so as to become quite familiar with the relevant position of each organ”

Hewett C. Watson, Statistics of phrenology: being a sketch of the present state of that science in the British Islands, 1836

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Three familiar lectures on craniological physiognomy by the City Philosophical Society

London, 1816

In a room full of books and plaster heads, a man with a bulbous, red, freshly shaved head sits in a chair. A tall man measures the sitters head with callipers and a ruler, focusing intently. A barber with a razor and bowl of water leaves the room, looking at the scene with incredulity.

Many people were sceptical of phrenology. These essays criticise the theory, concluding that it is false – for example, the shape of the brain does not create a corresponding shape on the outer surface of the skull. The accompanying illustration caricatures a phrenology examination: the bulbous, red, newly shaven head of a patient is measured by a gangly phrenologist.

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Death mask of Napoleon Bonaparte

1834

Plaster cast of a mans head. He has a sharp nose, large cheekbones and a square chin. His eyes are shut. The cast has the name Napoleon on the base.

When plaster copies of Napoleon’s death mask were circulated, phrenologists were disappointed by its distinctly average features. They soon came up with explanations. “The size of the brain had in probability already decreased by the combined effects of inactivity and disease” after the emperor’s long imprisonment, according to the Phrenological Journal; or the bumps signifying his great talents would have been on the back of the head, which was not cast.

Caricature of Napoleon Bonaparte. He is depicted as a small man with an oversized hat, bulging eyes, beak-like nose, a gaping mouth with curled lips, and his chin curves upwards. Painting of Napoleon Bonaparte in imperial costume with golden laurels on his head. He faces the viewer with his piercing grey eyes, square brows, high forehead and strong, angular nose and lips.

While Napoleon was ridiculed in British caricatures, in officially sanctioned depictions in France the emperor was depicted heroically, with a large cranium and ‘strong’ features.

Row of illustrated faces