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Striking Impressions

Animal faces

Row of illustrated faces

Animal faces

zoomorphism: the representation of people, objects or deities in the forms of animals; having animal-like qualities.

Try drawing yourself as an animal. Do you feel like a certain animal represents you in some way? Why? Is it desirable to be considered similar to some animals but not others?

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Sea wolf mask

British Columbia, 19th century

A colourful wolf like mask. It has a large snout and jaws that can open and close, with teeth painted on and red lips. Most of the mask is blue with black details. The eyes appear to be made from the bottoms of wine glasses. It has ears in the form of human faces which also have mouths that can open and close.

The sea wolf, appearing in the legends of North America’s Northwest Coast, is known as wasgo by the Haida people or gonakadet by others. In one story a man slays the monster and transforms into it by wearing its skin, saving his village from famine using its powers. This mask was made by an artist of the Ts’mysen (a broad term for nations also known as the Tsimshian) or a neighbouring people such as the Haida or Tlingit. Such masks were used in performances for potlatches – important social, political and spiritual events.

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De humana physiognomonia by Giambattista della Porta (1535-1615)

Germany, 1601

Pages from a book depicting a mans face with curly hair and a beard next to a lions face, and a man with a pointed face next to a similar looking greyhound like dog.

Porta’s physiognomic theory was based on the idea that resemblances between humans and animals signified resemblances in character. For example, someone with a lion-like face would be brave like a lion. This theory may seem absurd, but a 2011 psychology study found that people are indeed more likely to judge people with lion- or dog- like faces as having the personality traits associated with those animals (this does not mean these inferences are accurate).

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A colourful humanoid face with a huge nose and grinning mouth. Three cobras painted with black, yellow, red, white and blue patterns emerge from its forehead. Leopard mask with bulging eyes, black and red spots, and enormous sharp teeth.
Kōlam dance masks: Koti Kolama and Dala Garā

Sri Lanka, 19th – 20th century

Kōlam dance is practised by Sinhalese people. Like many performance arts, performers take on the role of animals and characters with animal parts. In Kōlam stories, Koti Kolama, the leopard, is a predatory character who attacks other animals. Dala Garā is a supernatural being with a crown of cobras and tusks (missing from the mask displayed here). He consumes evil and pollution, appearing at the end of performances which have a spiritual aspect.

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Patriots deciding a point of honor! by James Gillray (1756-1815)

London, printed circa 1810

Coloured print. A pistol duel between a giant goose with a man's head and a man carrying a giant pair of shears. They shoot each other in the leg. The goose says What must I be out! and a tailor get in to Parliament! You're a liar! I never said that I would sit as chairman on your shop board! His opponent says A liar! Sir I'm a Taylor and a gentleman! And I must have satisfaction! Papers litter the ground saying Sir Francis Gooses letter to the electors at the Crown and Anchor, Mr Paul's advertisements, Dangers of indulging political envy, Cobbetts character or Paul the Taylor May 2nd 1807, Westminster election Paul. The print is captioned Patriots deciding a point of honour! or an exact representation of the celebrated rencontre which took place at Combe Wood on May 2nd 1807 between little Paul the Taylor and Sir Francis Goose.

Depicting people as animals in cartoons is a common way to make fun of them. Multiple caricatures from this period depict the politician Sir Francis Burdett as a half-man, half-goose. This scene is based upon an actual duel fought between Burdett and fellow politician James Paull (a tailor’s son, hence the oversized scissors) following a misunderstanding.

Bonus Melior Optimus, or, the Devil's the best of the bunch by James Gillray

London, 1783

Engraving of two large men, one with a fox head who sits on Pandoras Box, sharing a bowl of soup. One says My dear Reynard you are welcome to a spoonful - Be cautious! a little of my broth goes a great way. Tis damned high seasoned. Look at my cook he and my friend... hum! with the consent of the... hum, did both... hum the Nation. The fox headed man says Blow hot! Blow cold! He he he! With the self same breath my Lord. Give me a sup of your soup. I have often cooled your porridge my lord! Hay? He he he! Meanwhile, a devil stokes the fire beneath a pot of soup and says God save great George our king, god bless our noble king, god damn the broth it will never boil.

The British government in 1783 was formed around an alliance between Lord North (1732-1792) and Charles James Fox (1749-1806). Caricatures of Fox played on his name by giving him a fox’s head. In Bonus Melior Optimus (good, better, best) Fox and North share a bowl of soup, while the Devil stokes the fire to keep the pot hot. It’s implied that even the devil is preferable to this unnatural partnership of man and beast.

Coloured print of a large grinning man wearing a tricorn hat and ringing a bell. He has large eyebrows and stubble.

Later caricatures of Fox exaggerated his round figure and unshaven face; his hairiness was so well known that he was nicknamed ‘the Eyebrow’.

Row of illustrated faces