Skip to main content

Striking Impressions

Powerful faces

Row of illustrated faces

Powerful faces

What makes someone look important?

A large, tall, twiggy mass with the front sculpted into the shape of an elongated face and covered in plaster. It has green cheeks and brown lips.
Tree fern sculpture

Malekula, 19th century

When this sculpture was made almost every man in Malekulan society was in the sukwe, a social hierarchy with several grades, each with associated privileges. The granting of a new grade was marked by ceremonies, distributing wealth, and the creation of sculptures like this. The possession of these emblems marked a man’s authority in the sukwe system.

Engraving of a man in profile, wearing laurels. He has a large eye and a beak-like nose. In the background is a classical column.
Louis XV of France (1710-1774)

London, 1805

Here the king of France wears laurels like a Roman emperor and has an exaggerated aquiline or ‘Roman’ nose, a feature associated with nobility. Possessing this feature was seen as connecting one to the heritage of ancient Rome and the right to rule. Such associations are relative: in the literature of Ming and Qing era China the same feature denoted a villain.

Line break composed of illustrated facial features

apotropaic: an object or practice which is believed to have the power to ward off evil and bad luck.

Try drawing an apotropaic face to frighten evil creatures away. What kinds of features are scary and intimidating? Why? What do these faces have in common with real creatures or people?

A grinning brass humanoid face with fangs sticking its tongue out. It has large eyebrows and moustaches, a third eye on its forehead, pierced ears with long drooping lobes, and a headdress of five flaming skulls.
Incense burner

Tibet, unknown date

Many fierce deities are depicted in Buddhist art.  Depictions of some, such as Mahakala, are used as apotropaic figures (warding off evil). Such depictions are richly symbolic: the skulls on this face’s headdress for instance may represent afflictions such as attachment which must be overcome to achieve enlightenment, serving as a reminder of Buddhist teachings.

A large stone head with a wrinkled brow and snout. It sticks its tongue out of its monstrous mouth.
Carved ceiling boss in the form of a grotesque face

Elgin, 15th century

Churches and cathedrals were decorated with grotesque imagery from the medieval era onwards, but few sources from the period survive that even mention such imagery. Why such demonic imagery appears in holy places or what they meant to their creators and original viewers is unknown, but they are usually assumed to have an apotropaic function.

Panel. A wooden panel about twenty centimetres wide, carved with the face of a horned devil with pointy ears and teeth, with flowers and stems on either side.
Carved wooden panel from St. Nicholas’ Church

Aberdeen, 17th century

This panel was created at a time when many people believed in Scotland believed in witches and demons. Hundreds of Scots – mostly women – were executed for witchcraft in the 16th and 17th centuries. Images like this grotesque face were believed to prevent a witch’s evil influence entering a building.

Samurai helmet and face armour composed of black lacquered metal with articulated plates connected with blue cord. The helmet has a clan symbol lacquered on its rim and a crest of a sun behind a cloud. The face guard, composed of a single sculpted plate, has a fearsome snarling expression.
Armour

Japan, 19th century

Armour like this was mostly being made as decorative pieces or diplomatic gifts in Japan by the time this helmet was created. But design features from when armour was being made for battle remained, such as the mempo (face guard) with intimidating features, the mouth contorted into a snarl.

Line break composed of illustrated facial features

Magical faces

Bellarmine jar

16th-17th century

Bellarmine wine jar. A fat mottled brown ceramic bottle with a handle, a rose stamped on the middle, and on the neck a face of an elderly bearded man with bushy eyebrows.

Vessels with bearded faces were often imported from Germany and the Netherlands. They became known as ‘Bellarmine jars’ after their resemblance to the divisive Catholic Cardinal Bellarmine (1542-1621). In England, people who suspected they had been targeted by witchcraft would fill the vessels with urine and bent pins and nails, then heat or bury them. This was believed to torture the witch, forcing them to desist from persecuting their victim.

A round oblong stone carved with a face. It has thin, oval shaped eyes and a large nose with the nostrils pierced all the way through the stone.
müyü ne bü

Malekula, 19th century or earlier

Carved stone heads such as this, called müyü ne bü, are considered by some in Vanuatu (the island nation which Malekula is a part of) to be the containers for spirits. The stones are used in magical practices to control the weather and bring fertility and prosperity.

Row of illustrated faces