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Striking Impressions

Mocking faces: caricature

Row of illustrated faces

Mocking faces: caricature

In English, the word caricature comes from the Italian caricare, meaning ‘to load’. It was first used in the late seventeenth century by Sir Thomas Browne, who noted that “When men’s faces are drawn with resemblance to some other animals, the Italians call it, to be drawn in caricatura.”

Caricature drawing was initially promoted as an elite pastime and a fun activity for the upper classes, but by the late eighteenth century it was also being used by professional artists to draw attention to both social and political issues, becoming a popular mouthpiece through which to challenge and call out authority figures. Caricature art is most associated with the exaggeration and distortion of faces and bodies, but can also involve the use of symbolic imagery, as observed in Sir Thomas Browne’s comment on humans and animals.

The artistic choice to exagerrate the face for various effects - humourous, dramatic, and so on - can be seen in cultures around the world.

Whats your most distinctive feature? Try drawing yourself in a way that exaggerates it. Does it still look like you?

Line break composed of illustrated facial features

A miniature mask with the face of an Asian man. He has an exaggerated angry expression with bulging veins, a red flush to his skin, and bristling eyebrows and moustache.
Souvenir theatre mask

China, early 20th century

Many Chinese theatrical arts use masks, and miniature versions continue to be a popular souvenir. In some performances masks are switched or altered regularly to depict changing expressions. Theatrical masks often appear caricature-like. This example depicts an angry man with exaggerated red skin, frown and bulging veins.

A round head carved out of wood. It has yellow skin with red and black dots, large eyes and a broad brimmed hat.
Gelede mask

Nigeria, 19th – 20th century

Gelede dances are performed by Yoruba people, originally to celebrate or placate the ‘mothers’, elderly and ancestral women believed to wield great power for good or bad. Gelede masks can depict animals, technology, deities and social classes. Some have a satirical purpose: this mask, with a missionary style hat, may have been used to make fun of Europeans or converts to Christianity.

A cylindrical mirror standing on a distorted illustration of a face in profile. The illustration is stretched out around a circle, but appears to look normal in the mirrors reflection.
Anamorphic mirror

London, early 19th century

In the 19th century optical toys used drawings of distorted faces which appear normal when viewed in a curved mirror. Is caricature a matter of perspective? Like Hogarth’s illustration of John Wilkes (next page), what’s supposed to be insulting can be considered flattering by someone else. What some people think is funny is deemed offensive by others.

Row of illustrated faces

Mocking faces: caricature