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Silhouette of face in profile. Lines are drawn between various points such as the tip of the nose and chin, and the nose and highest part of the forehead. Points where lines meet at an angle are marked.

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A colourful humanoid face with a huge nose and grinning mouth. Three cobras painted with black, yellow, red, white and blue patterns emerge from its forehead.

Leopard mask with bulging eyes, black and red spots, and enormous sharp teeth.

A grinning brass humanoid face with fangs sticking its tongue out. It has large eyebrows and moustaches, a third eye on its forehead, pierced ears with long drooping lobes, and a headdress of five flaming skulls.

Samurai helmet and face armour composed of black lacquered metal with articulated plates connected with blue cord. The helmet has a clan symbol lacquered on its rim and a crest of a sun behind a cloud. The face guard, composed of a single sculpted plate, has a fearsome snarling expression.

A miniature mask with the face of an Asian man. He has an exaggerated angry expression with bulging veins, a red flush to his skin, and bristling eyebrows and moustache.

A colourful wolf like mask. It has a large snout and jaws that can open and close, with teeth painted on and red lips. Most of the mask is blue with black details. The eyes appear to be made from the bottoms of wine glasses. It has ears in the form of human faces which also have mouths that can open and close.

A colourful wolf like mask. It has a large snout and jaws that can open and close, with teeth painted on and red lips. Most of the mask is blue with black details. The eyes appear to be made from the bottoms of wine glasses. It has ears in the form of human faces which also have mouths that can open and close.

Large marble bust of a White man with soft features, in the style of an Ancient Greek or Roman sculpture. He wears a toga.

Plaster cast of a mans head. He has a sharp nose, large cheekbones and a square chin. His eyes are shut. The cast has the name Napoleon on the base.

Ceramic ink well in the form of a head on a plinth. The upper left half of the head is divided by lines into irregularly shaped sections, with the most sections clustered on the forehead and around the eye. The sections are numbered and labelled: form, individuality, eventuality, comparison, benevolence, veneration, locality, causality, imitation, hope, conscientiousness, language, order, time, wit, wonder, number, tune, ideality, constructiveness, acquisitiveness, cautiousness, secretiveness, destructiveness.

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