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                <text>Human skulls carved in stone, with tenons at the back for fitting into a wall Aztec or Tlascalan style, Mexico, A.D.1450-1520 Described by Dr McPherson as from the southern state of Oaxaca, the skulls are more likely to be from the Atlantic coast state of Vera Cruz and may have formed part of a frieze on the walls of a temple or a ceremonial ball-court.</text>
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                <text>Aztec ? Tlascalan style?</text>
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                <text>H: 221 mm W: 134 mm Th: 190 mm</text>
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                <text> ornament </text>
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                <text>Gold pendant ornament Mixtec style, Oaxaca, Mexico, A.D.1400-1500 The Mixteca were supreme artists in gold and lapidary work. This small mask, with the face of beaten plate and cast pendant ear ornaments, resembles some of the magnificent gold items from a tomb discovered in the ancient city of Monte Alban during the time that Dr McPherson was in Mexico. Gold disc with face and two pendant balls.</text>
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                <text>America Mexico Oaxaca Tehuantepec </text>
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                <text>Brander suspended over the fire and makes a pattern on the cooking bannock, Glengairn (c1800 AD).&#13;
&#13;
Cooking in Northern Scotland, up until the 19th century when stoves were introduced, was done at the open hearth, at floor level. If there was a stone chimney, a sway, links and cruik were used to hold the cooking pots over the fire. Usually cooking was done over a peat or turf fire, although very poor people sometimes used dock stalks or animal dung as fuel. This is a 19th century brander from a hearth at Darnabo, Fyvie, Aberdeenshire. The links hold the brander, or barred girdle, nearer to the fire and its height can be adjusted. The quality of the sway, cruik and links often denote the prosperity of the household. All the equipment here is good quality.</text>
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                <text>Clay head, Mongoloid type, Archaic.</text>
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                <text>Period: Archaic </text>
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                <text>clay fired.clay pottery </text>
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                <text>H: 72 mm W: 48 mm </text>
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                <text>America Mexico </text>
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                <text>Basket hilted sword (late 17th cent). Clay figurines appear in the graves and household debris of the earliest farmers in Mexico and continued to be made and used by successive civilisations until the Spanish Conquest. Those made by the village farming communities of the Mexican Neolithic most often represent women, with exaggeration of the breasts and buttocks perhaps reflecting a concern with human fertility and increase. Images of the later period, especially those from the great classical city of Teotihuacan, illustrate a variety of gods and human types, reflecting the richness and diversity of an elaborate priest-temple cult.</text>
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                <text>&lt;a href="http://calms.abdn.ac.uk/Geology/dserve.exe?dsqIni=Dserve.ini&amp;amp;dsqApp=Archive&amp;amp;dsqCmd=Show.tcl&amp;amp;dsqDb=Catalog&amp;amp;dsqPos=0&amp;amp;dsqSearch=%28ObjectNumber%3D%27%20ABDUA%3A8773%27%29"&gt; ABDUA:8773&lt;/a&gt;</text>
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                <text>One of a selection of snuff mulls (18th -early 19th cent).&#13;
&#13;
Clay figurines appear in graves and the household debris of the earliest farmenrs in Mexico, and continued to be made and used by successive civilisations until the Spanish Conquest. Those made by farming communities of the Mexican Neolithic most often represent women, with exaggeration of the breasts and buttocks, perhaps reflecting a concern with human fertility and increase. Images of a later period, especially those from the great classical city of Teotihuacan, illustrate a variety of gods and human types, reflecting the richness and diversity of an elaborate priest-temple cult. small, fired, white clay figurines which were dug up by a workman excavating a trench near Tampico, Vera Cruz State, Mexico, in the 1920's. The figures were all of females and many had exaggerated hips and large buttocks. They are naked and the breasts, navel and vulva are often depicted, and also sometimes the feet and head, but these are not always modelled, and they are small and insignificant. Although the forms of the figurines varies, the essential style emphasises the female sexual characteristics and minimises the head and limbs. They are thought to be prehistoric, certainly Pre-Columbian and probably dating from the first millennium BC.&#13;
&#13;
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        <name>John mcpherson</name>
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              <name>Title</name>
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                  <text>Collecting the world </text>
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            <name>Title</name>
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                <text> figurine </text>
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                <text>&lt;a href="http://calms.abdn.ac.uk/Geology/dserve.exe?dsqIni=Dserve.ini&amp;amp;dsqApp=Archive&amp;amp;dsqCmd=Show.tcl&amp;amp;dsqDb=Catalog&amp;amp;dsqPos=0&amp;amp;dsqSearch=%28ObjectNumber%3D%27ABDUA%3A8240%27%29"&gt;ABDUA:8240&lt;/a&gt;</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Fragment of statuette; traces of red pigment on headdress.</text>
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            <name>Creator</name>
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                <text>McPherson, John Dr</text>
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                <text>McPherson, John Dr </text>
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            <name>Relation</name>
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                <text>clay fired.clay pigment </text>
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                <text> H: 41 mm W: 45 mm </text>
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                <text>America Mexico Teotihuacan </text>
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            <description>A summary of the resource.</description>
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                <text>Slate button mould (18th-19th cent). Clothing was fastened with buttons often made from horn or from cast metal, sometimes silver. A horn or wooden button often had a metal front with a design stamped on it. Some buttons were decorated with a design which might show the rank or the allegiance of the wearer. This is a slate button mould dating from the 18th or 19th century. It carries one round button matrix which has the design of a Greek cross carved into the stone, surrounded by a border of fine lines. The metal button or button front would have been hammered into the matrix.in order to stamp on the design. There is a second incised design resembling a spade from playing cards. This is much shallower, but would have been used to stamp a design on to metal. This button mould is Scottish but it is not known where it comes from. Clay figurines appear in the graves and household debris of the earliest farmers in Mexico and continued to be made and used by successive civilisations until the Spanish Conquest. Those made by the village farming communities of the Mexican Neolithic most often represent women, with exaggeration of the breasts and buttocks perhaps reflecting a concern with human fertility and increase. Images of the later period, especially those from the great classical city of Teotihuacan, illustrate a variety of gods and human types, reflecting the richness and diversity of an elaborate priest-temple cult.</text>
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        <name>John mcpherson</name>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Collecting the world </text>
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      <name>Physical Object</name>
      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text> figurine </text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>&lt;a href="http://calms.abdn.ac.uk/Geology/dserve.exe?dsqIni=Dserve.ini&amp;amp;dsqApp=Archive&amp;amp;dsqCmd=Show.tcl&amp;amp;dsqDb=Catalog&amp;amp;dsqPos=0&amp;amp;dsqSearch=%28ObjectNumber%3D%27ABDUA%3A8244%27%29"&gt;ABDUA:8244&lt;/a&gt;</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Fragment of statuette.</text>
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            <name>Creator</name>
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                <text>McPherson, John Dr</text>
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                <text>McPherson, John Dr </text>
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                <text>clay fired.clay</text>
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            <name>Format</name>
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                <text> H: 64 mm W: 66 mm </text>
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            <name>Coverage</name>
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                <text>America Mexico Teotihuacan </text>
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            <name>Abstract</name>
            <description>A summary of the resource.</description>
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                <text>Clay figurines appear in the graves and household debris of the earliest farmers in Mexico and continued to be made and used by successive civilisations until the Spanish Conquest. Those made by the village farming communities of the Mexican Neolithic most often represent women, with exaggeration of the breasts and buttocks perhaps reflecting a concern with human fertility and increase. Images of the later period, especially those from the great classical city of Teotihuacan, illustrate a variety of gods and human types, reflecting the richness and diversity of an elaborate priest-temple cult</text>
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        <name>John mcpherson</name>
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