<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://exhibitions.abdn.ac.uk/university-collections/document/1394">
    <dcterms:title><![CDATA[ spatula lime.spatula ]]></dcterms:title>
    <dcterms:description><![CDATA[Wooden folding ruler (with brass hinge) adapted for use as a betel-lime spatula]]></dcterms:description>
    <dcterms:abstract><![CDATA[Spatulae Spatulae were used by New Guinean people when they chewed &#039;betel-nut&#039;. The seed from the areca palm tree nut is mixed with the leaf or fruit of the betel plant and lime from burnt coral or shells. When it is chewed this mixture creates bright red saliva and a feeling of happiness and extra energy. There is an interesting contrast between the traditional spatula (8) and the one made from a ruler (9), which reflects the contact with European objects.<br />
<br />
Toddy ladle (late 18th - early 19th cent).<br />
<br />
Two kiln stands used to support pots when firing Castle Hill, Rattray (13 - 14 cent).<br />
<br />
found in Kemnay, Aberdeenshire.<br />
<br />
The Inuit of Arctic America used all the natural resources that were available to them, particularly animals, such as seal, caribou, walrus and whales, and they processed their skins, bones, tendons and even intestines into food, clothing, and equipment. They had a number of scrapers and knives developed to help in this work, for scraping and cutting skins and processing tendons. This is a scraper, or &#039;Tesirqun&#039;, used for scraping the hides of prey animals, particularly seals, before they were made into clothing and equipment. The iron, fan-shaped blade has a curved cutting edge and is convex, and is set into a slot in a curved bone handle. The crescentic cutting edge of the curved blade, and the hooked handle retain the traditional form of a scraper made on a single piece of bone, but this has been adapted to material traded from Europeans. The scraper comes from Chesterfield Inlet, Hudson Bay, Canada and dates from the beginning of the 20th century.<br />
<br />
During the medieval period pottery techniques, including firing and glazing, improved greatly and the craft became industrialised. Large kilns were built in which batches of vessels could be fired. These are two of three kiln stands which were found in a kiln at Castle Hill, Rattray, Aberdeenshire, a medieval burgh. The kiln stands are wheel-thrown in a hard red sand-tempered fabric and are heavily rilled. Their profile is concave and the base wider than the rim. There are traces of green glaze on both, possibly dropped from the pots they supported, and there is blackening from being in the kiln. They date from the 14th century. These kiln stands would have been used, inverted, to hold pots upside down in the kiln during firing.]]></dcterms:abstract>
    <dcterms:creator><![CDATA[Macgregor, William Sir]]></dcterms:creator>
    <dcterms:date><![CDATA[Early: 1850 Late: 1899]]></dcterms:date>
    <dcterms:contributor><![CDATA[Macgregor,William Sir ]]></dcterms:contributor>
    <dcterms:relation><![CDATA[wood box.wood metal brass]]></dcterms:relation>
    <dcterms:format><![CDATA[ L: 265 mm]]></dcterms:format>
    <dcterms:identifier><![CDATA[<a href="http://calms.abdn.ac.uk/Geology/dserve.exe?dsqIni=Dserve.ini&amp;dsqApp=Archive&amp;dsqCmd=Show.tcl&amp;dsqDb=Catalog&amp;dsqPos=0&amp;dsqSearch=%28ObjectNumber%3D%27ABDUA%3A289%27%29">ABDUA:289</a>]]></dcterms:identifier>
    <dcterms:coverage><![CDATA[Melanesia Papua.New.Guinea Seymour.Bay ]]></dcterms:coverage>
</rdf:Description><rdf:Description rdf:about="https://exhibitions.abdn.ac.uk/university-collections/document/1395">
    <dcterms:title><![CDATA[spatula lime.spatula ]]></dcterms:title>
    <dcterms:description><![CDATA[Carved wooden lime spatula, decorated with female figure with glass beads (red), and shell beads (red). Hunt(1981): &#039;Betel chewing is practised widely in Melanesia. The betal mixture consists of nut of the areca palm, fruit or leaves of the betel pepper, and lime made by burning coral or shells. The lime is kept in bamboo vessels or gourds and is taken with a wood or bone spatula.&#039;]]></dcterms:description>
    <dcterms:creator><![CDATA[ Macgregor,William Sir]]></dcterms:creator>
    <dcterms:date><![CDATA[ Early: 1850 Late: 1899]]></dcterms:date>
    <dcterms:contributor><![CDATA[Macgregor, William Sir]]></dcterms:contributor>
    <dcterms:relation><![CDATA[wood glass glass.beads shell]]></dcterms:relation>
    <dcterms:format><![CDATA[ H: 255 mm ]]></dcterms:format>
    <dcterms:identifier><![CDATA[<a href="http://calms.abdn.ac.uk/Geology/dserve.exe?dsqIni=Dserve.ini&amp;dsqApp=Archive&amp;dsqCmd=Show.tcl&amp;dsqDb=Catalog&amp;dsqPos=0&amp;dsqSearch=%28ObjectNumber%3D%27ABDUA%3A178%27%29">ABDUA:178</a>]]></dcterms:identifier>
    <dcterms:coverage><![CDATA[Melanesia New.Guinea Trobriand.Islands ]]></dcterms:coverage>
</rdf:Description><rdf:Description rdf:about="https://exhibitions.abdn.ac.uk/university-collections/document/1396">
    <dcterms:title><![CDATA[ comb ]]></dcterms:title>
    <dcterms:description><![CDATA[Comb made from a single piece of wood, carved handles, bound with string made from twisted vegetable fibre.]]></dcterms:description>
    <dcterms:abstract><![CDATA[VASE VII. PROCHOOS - maidens drawing water at a fountain (Kallirrhoe); in front of the lion&#039;s head whence the fountain issues is rude sketch of Doric fa�ade. The black of this vase has been rudely painted over in modern times.<br />
<br />
Combs These were worn in the hair as decoration.<br />
<br />
6. Described by its collector as a &#039;nose instrument&#039;. The putorino was usually played bugle-fashion to summon people together.<br />
<br />
9. Worn as a protective amulet. Important &#039;tikis&#039; were treasured as heirlooms which accumulated the force, &#039;mana&#039;, of their successive owners.<br />
<br />
H. 7. THE E&#039;TIKI, an heir-loom of the New Zealanders. C. W. Nockells.<br />
<br />
H. 17. NEW ZEALAND NOSE-INSTRUMENT.<br />
<br />
9. Tiki in greenstone, obverse represents grotesque human figure, eyes inlaid with mother of pearl, reverse flat. Cord in plaited vegetable fibre, and button in bone of bird. Neck-pendant, heirloom of New Zealnders. - Presented by C W Nockells.<br />
<br />
Clay pipe Aberdeen (18th cent).<br />
<br />
Iron tongs, Coull Castle, Aberdeenshire<br />
<br />
Smoking was a popular pastime from when tobacco was first brought from South America in the 16th century. Pipes were usually made from clay and continued to be so until the end of the 19th century, even though wooden ones were available. Most pipes were plain or only decorated simply. This is an early example of a clay pipe, dating from the later 17th century. It is quite substantial but has a small bowl. It is decorated with a fringe of small vertical incised lines around the rim of the bowl. This is a well-preserved example of an early clay pipe from NE Scotland. Normally they are only preserved in pieces because they are fragile, and because they broke in use they were thrown away.<br />
<br />
In Europe about 3000-1700 BC, from the late Neolithic into the Bronze Age, flat-based, finely made pots, known as beakers, were widespread. They have an S- or Z-shaped profile, and are decorated with bands of fine incised geometric pattern. In NE Scotland the Northern beaker types are associated with the introduction of metal working and are often found in individual cist burials, both probably related to settlement of people from Europe. Later beakers were made locally, and often have archaic or idiosyncratic features. This is a Late Northern type with an S-shaped profile and a flaring neck and a very small base with a foot. The fabric is coarse, although the vessel is not heavily made, and the impressed decoration is unevenly applied. There are two bands of lines, cross-hatching, chevrons and fringes around the belly and neck, separated by plain zones. Around the foot runs a continuous large, striped triangular pattern. The beaker was found in a cist at Parkhill, Quarry, Durris, Kincardineshire. Four other cists, with beakers were found at the same location.<br />
<br />
This is one of a large number of images of the Stuart dynasty in general in the university collection. These images attest to Stuart Royal patronage of King&#039;s College and later to the prolonged Jacobite sympathies of both King&#039;s and Marischal Colleges. In particular there are a large number of images, particularly engravings, of Mary, reflecting her role as one of the cast of &#039;hero&#039; figures from Scottish history in whom much of nineteenth century Scottish identity was invested. This is a photographic reproduction after a painting in the Prince&#039;s Chamber in the House of Lords. It is one of a series of &#039;Tudor Portraits&#039; produced by students of the Royal School of Art, South Kensington.<br />
<br />
]]></dcterms:abstract>
    <dcterms:creator><![CDATA[ Macgregor, William Sir]]></dcterms:creator>
    <dcterms:date><![CDATA[Early: 1850 Late: 1899 ]]></dcterms:date>
    <dcterms:contributor><![CDATA[Macgregor, William Sir]]></dcterms:contributor>
    <dcterms:relation><![CDATA[wood vegetable.fibre]]></dcterms:relation>
    <dcterms:identifier><![CDATA[<a href="http://calms.abdn.ac.uk/Geology/dserve.exe?dsqIni=Dserve.ini&amp;dsqApp=Archive&amp;dsqCmd=Show.tcl&amp;dsqDb=Catalog&amp;dsqPos=0&amp;dsqSearch=%28ObjectNumber%3D%27ABDUA%3A403%27%29">ABDUA:403</a>]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://exhibitions.abdn.ac.uk/university-collections/document/1398">
    <dcterms:title><![CDATA[comb]]></dcterms:title>
    <dcterms:description><![CDATA[Wooden comb, decorated with glass beads, colours: red, blue and white. Reid (1912): &#039;Worn by chief.&#039;]]></dcterms:description>
    <dcterms:abstract><![CDATA[<p>William Macgregor (1846-1919) served the British Colonial Office for 14 years in Fiji (1875-1888), primarily as Chief Medical Officer, but also holding offices such as Receiver-General, Colonial Secretary, Commissioner of Stamps and Acting Administrator.</p>
<p>Bronze 'sunflower head' pin and necklet from a hoard Dingwall (c900-600BC).</p>
<p>During the Neolithic in Britain, about 4000-2000 BC, accomplished flint knapping produced some highly finished items, such as arrowheads, knives, sickles and laurel leaf points. These, along with ground stone artifacts, were probably objects denoting high social status. This is an end scraper made on a fairly large blade, in a grey mottled flint. The distal end of the blade has been modified by steep retouch to make an almost V-shaped scraper edge. The scraper was found in the Bog of Fintray, Fintray, Aberdeenshire, along with other large, well made flint tools. This type of tool is typical of some made in the later Neolithic, but it is possible that the flint was brought into Aberdeenshire from further south in Britain.</p>
<p>During the Bronze age jewellery and personal ornaments were made from metal, both bronze and gold. This is a bronze pin-head of the sunflower type. It is a bronze disc with a central boss and a projection on the underside where the pin has broken off. It is decorated with two sets of incised concentric circles and the rim is upturned. This pin-head is part of a collection of bronzes donated to Marischal Museum, Aberdeen in July 1984. The donation included the donor's great-grandfather William Joyner's original collection of the Dingwall hoard of bronzes taken by him to Natal, South Africa in 1851 and two other bronzes. The hoard comprises this pin-head, two socketed axes and a rare neck-ring, all dating from the later Bronze Age, 1100-700BC and found together near Dingwall in the early 19th century. The two other bronzes became associated with the collection while in Africa and are probably of African origin. During the prehistoric period collections of metal or stone items, often of value to the community or individuals, were buried or deposited in wet places. Axeheads, swords, halberds and ornaments are often found in these hoards. The type of artefact found in a hoard is probably not typical of everyday objects. However, the associations of different objects can help to establish the dates of artefact types.</p>]]></dcterms:abstract>
    <dcterms:creator><![CDATA[Macgregor, William Sir]]></dcterms:creator>
    <dcterms:date><![CDATA[Early: 1800 Late: 1888]]></dcterms:date>
    <dcterms:contributor><![CDATA[Macgregor, William Sir ]]></dcterms:contributor>
    <dcterms:relation><![CDATA[wood glass glass.beads vegetable.fibre ]]></dcterms:relation>
    <dcterms:format><![CDATA[ L: 440 mm W: 55 mm ]]></dcterms:format>
    <dcterms:identifier><![CDATA[<a href="http://calms.abdn.ac.uk/Geology/dserve.exe?dsqIni=Dserve.ini&amp;dsqApp=Archive&amp;dsqCmd=Show.tcl&amp;dsqDb=Catalog&amp;dsqPos=0&amp;dsqSearch=%28ObjectNumber%3D%27ABDUA%3A4501%27%29">ABDUA:4501</a>]]></dcterms:identifier>
    <dcterms:coverage><![CDATA[Melanesia Fiji Tavium ]]></dcterms:coverage>
</rdf:Description><rdf:Description rdf:about="https://exhibitions.abdn.ac.uk/university-collections/document/1399">
    <dcterms:title><![CDATA[face.ornament ]]></dcterms:title>
    <dcterms:description><![CDATA[Decorted with jacquirity seeds set in resin, pigs&#039; teeth and shell beads. Shape: double cross.]]></dcterms:description>
    <dcterms:creator><![CDATA[Macgregor, William Sir]]></dcterms:creator>
    <dcterms:publisher><![CDATA[Face ornament The decoration on this face ornament is made from pigs' teeth and jequirity seeds, which are poisonous and can be fatal if eaten. Head of Sekhmet The pharaoh Amenhotep III, of the 18th Dynasty, built a chamber dedicated to the god Sekhmet in the temple of Mut at Thebes. This head is from that chamber at Karnak. Statue of a priest carrying the shrine of Asher, son of the sun. Priests were important in Ancient Egyptian religion. They supported the pharaoh's godly duties and often became very powerful; at times even becoming pharaohs themselves. 18th Dynasty Heads of a husband and wife. Both are shown wearing elaborate wigs. 18th / 19th Dynasty. Wilson collection Grave slab bearing the symbol of the deceased's trade, Kildrummy (15th cent). Mould for horn spoon from Aberdeenshire (18th-19th cent). Fleerishes (strike-a-lights) (early 19th cent). Before matches were available fires and lights were kindled in various ways. A spark had to be made that would ignite kindling, which could then be blown into a larger fire. This is one of a variety of steel 'fleerishes' or strike-a-lights. The sprung metal would produce a spark when the broad part was struck on a piece of stone or flint, while the narrow or curled ends served as a handle. The shapes are different, but the principle of operation is the same. The fleerishes were all collected in Aberdeenshire by Professor Reid in the late 19th or early 20th century. This large stone effigy of an armoured knight comes from Elgin Cathedral, Morayshire, where there were similar carvings of knights and bishops, in corbelled and embellished niches on the outside of the central tower when it was repaired after falling in 1506. The cathedral is now in ruins after being unroofed in 1567. The effigy is carved in sandstone, nearly in the round but with the back attached to a wall. It comprises the head and torso. The knight wears armour of the late 15th century, with chain mail and plate armour shown by the carving. He also has a helmet and carries a sword, pointing up and entwined with a sash, in the right hand. His left hand holds something to his chest. This is a good example of later medieval carving surviving from a building that was ruined. The detail of the armour is informative. Elgin Cathedral, the High Chuch of Moray, was known as 'the Lanthorn of the North' because of its great beauty, the supreme example of Scottish church architecture of the great building period during the 13th century. Its double aisle testified to French influence. New sculpture was carved when it was repaired in the 15th century after being burned in 1390. Following the unroofing of Elgin Cathedral in 1506, decorative carvings fell from the building and were taken away and were preserved elsewhere. This sculptured boss in sandstone is of a monstrous human male head, with an open mouth and the tongue sticking out. The hair is shown with a central parting and the beard is also carved. The sculpture is thought to be one of the fine medieval carvings from Elgin, probably from the 15th century. Horn and wooden spoons and ladles were used in the Highlands until the late 19th century, when tin ware began to supersede them. Sheep's horn was most commonly used, and it was moulded in a spoon mould. Tinkers often made these spoons, and were reluctant to disclose the method, or the moulds, to other people. This mould comprises two pieces of wood, fastened together, and the negative shape is carved, one on each piece. The horn was heated by boiling in water or in the fire, and pressed between the two sides of the mould. This is a fine and well-preserved Medieval grave slab, which would have lain horizontally over a burial. It is made of sandstone and is complete. The edges are bevelled and it carries a relief design of a ring-headed cross with a stepped foot and, to the right, a relief of a pair of hand shears of the type often used for shearing sheep. Sometimes the shears symbol on a medieval grave signifies life being cut off. The slab is small and maybe that of a child. The graveslab comes from Kildrummy Churchyard, Kildrummy, Aberdeenshire, and dates from the 14th or 15th century. It is resembles a finer, more ornate one at Kildrummy Castle. - Engraving after Joshua Reynolds portrait of John Hunter (1728-93) the eminent physiologist. Hunter, born in Fife, is credited as the 'founder of modern scientific surgery'. The original portrait, now in Royal College of Surgeons, London, was completed in 1786 and engraved in 1788. It was subsequently altered by Reynolds to reflect changes in the sitter's face due to illness. The engraving thus records the portrait in its original state. The engraving is frequently cited as Sharp's (1749-1824) master work. - 18th dynasty: 1390-1352 BC: reign of Nebmaatra Amenhotep II Temple of Mut, Karnak, Thebes, Egypt. This bust is part of one of a great number of similar statues of the lioness goddess Sekhmet produced during the reign of Amenhotep III. It has been estimated that originally there may have been around one seated and one standing statue for every day of the year. These statues probably would have had some colouring to enhance certain features. Although this example came from the Temple of Mut, recent academic research indicates that the statues may have formerly constituted part of an unusually elaborate and impressive statuary program connected with Amenhotep III's first jubilee or sed (a festival of renewal), within his Mortuary Temple, at Kom el-Hetan. Amenhotep III's sovereignty has been characterised as one of great prosperity and stability, which may have enabled his many ambitious architectural projects. The goddess Sekhmet had many facets and attributes and may be identified by various epithets. Sekhmet was closely identified with the goddess Hathor, but, more specifically, she was the goddess of war and strife, traits which may be discerned here in her forbidding and impassive countenance. However, she was also associated with medicine and healing and was invoked as a protectress, for instance against outbreaks of plague. It has also been suggested that Amenhotep III had health or dental problems which may have inspired him to erect so many statues to the goddess. A section of the text named The Book of the Cow of Heaven, dating from the New Kingdom period, concerns the sun-god Re's plan to destroy mankind as punishment for conspiring against him. The goddess Sekhmet, as the eye of Re, enforced Res will and slaughtered many people. Re relented and tricked the goddess by lacing beer with red-ochre, so it would resemble blood, and flooding the desert with this liquid. Sekhmet slaked her thirst and became drunk and so mankind was saved. Betsy M. Bryan, The statue program for the mortuary temple of Amenhotep III in S. Quirke (ed.), The Temple in Ancient Egypt; New Discoveries and Recent Research, London, 1997, pp.57-81 Richard A. Fazzini, Bust from a statue of the goddess Sekhmet, in A.K. Kapel &amp; G.E. Markoe (eds), Mistress of the House, Mistress of Heaven: Women in Ancient Egypt, New York, 1997, pp.134-6]]></dcterms:publisher>
    <dcterms:date><![CDATA[Early: 1850 Late: 1899]]></dcterms:date>
    <dcterms:contributor><![CDATA[Macgregor, William Sir]]></dcterms:contributor>
    <dcterms:relation><![CDATA[wood seeds resin shell pig.tooth ]]></dcterms:relation>
    <dcterms:format><![CDATA[L: 274 mm W: 140 mm ]]></dcterms:format>
    <dcterms:identifier><![CDATA[<a href="http://calms.abdn.ac.uk/Geology/dserve.exe?dsqIni=Dserve.ini&amp;dsqApp=Archive&amp;dsqCmd=Show.tcl&amp;dsqDb=Catalog&amp;dsqPos=0&amp;dsqSearch=%28ObjectNumber%3D%27ABDUA%3A146%27%29">ABDUA:146</a>]]></dcterms:identifier>
    <dcterms:coverage><![CDATA[Melanesia Papua.New.Guinea South.East ]]></dcterms:coverage>
</rdf:Description><rdf:Description rdf:about="https://exhibitions.abdn.ac.uk/university-collections/document/1400">
    <dcterms:title><![CDATA[breast.ornament ]]></dcterms:title>
    <dcterms:description><![CDATA[Breast ornament, made of segments of melo shell, with string for suspension in matted vegetable fibre decorated with pieces of shell.<br />
<br />
]]></dcterms:description>
    <dcterms:creator><![CDATA[Macgregor, William Sir]]></dcterms:creator>
    <dcterms:date><![CDATA[Early: 1850 Late: 1898]]></dcterms:date>
    <dcterms:contributor><![CDATA[Macgregor, William Sir ]]></dcterms:contributor>
    <dcterms:relation><![CDATA[ shell vegetable.fibre ]]></dcterms:relation>
    <dcterms:identifier><![CDATA[<a href="http://calms.abdn.ac.uk/Geology/dserve.exe?dsqIni=Dserve.ini&amp;dsqApp=Archive&amp;dsqCmd=Show.tcl&amp;dsqDb=Catalog&amp;dsqPos=0&amp;dsqSearch=%28ObjectNumber%3D%27ABDUA%3A63520%27%29">ABDUA:63520</a>]]></dcterms:identifier>
    <dcterms:coverage><![CDATA[Melanesia New.Guinea ]]></dcterms:coverage>
</rdf:Description><rdf:Description rdf:about="https://exhibitions.abdn.ac.uk/university-collections/document/1401">
    <dcterms:title><![CDATA[forehead.ornament headdress]]></dcterms:title>
    <dcterms:description><![CDATA[A band of plaited vegetable fibre decorated with shells, seeds and beads.<br />
<br />
]]></dcterms:description>
    <dcterms:creator><![CDATA[Macgregor, William Sir]]></dcterms:creator>
    <dcterms:date><![CDATA[Early: 1850 Late: 1909]]></dcterms:date>
    <dcterms:contributor><![CDATA[Macgregor, William Sir]]></dcterms:contributor>
    <dcterms:relation><![CDATA[shell seeds glass bead vegetable.fibre ]]></dcterms:relation>
    <dcterms:format><![CDATA[ L: 750 mm W: 93 mm ]]></dcterms:format>
    <dcterms:identifier><![CDATA[<a href="http://calms.abdn.ac.uk/Geology/dserve.exe?dsqIni=Dserve.ini&amp;dsqApp=Archive&amp;dsqCmd=Show.tcl&amp;dsqDb=Catalog&amp;dsqPos=0&amp;dsqSearch=%28ObjectNumber%3D%27ABDUA%3A1575%27%29">ABDUA:1575</a>]]></dcterms:identifier>
    <dcterms:coverage><![CDATA[Melanesia Papua.New.Guinea ]]></dcterms:coverage>
</rdf:Description><rdf:Description rdf:about="https://exhibitions.abdn.ac.uk/university-collections/document/1402">
    <dcterms:title><![CDATA[arrow]]></dcterms:title>
    <dcterms:description><![CDATA[Arrow-head decoration: carved (anthropomorphic) &amp; painted (black &amp; white). Bamboo shaft, red twine.]]></dcterms:description>
    <dcterms:creator><![CDATA[Macgregor, William Sir]]></dcterms:creator>
    <dcterms:date><![CDATA[Early: 1850 Late: 1899]]></dcterms:date>
    <dcterms:contributor><![CDATA[Macgregor, William Sir ]]></dcterms:contributor>
    <dcterms:relation><![CDATA[ cane wood skin vegetable.fibre string bone pigment cloth ]]></dcterms:relation>
    <dcterms:identifier><![CDATA[<a href="http://calms.abdn.ac.uk/Geology/dserve.exe?dsqIni=Dserve.ini&amp;dsqApp=Archive&amp;dsqCmd=Show.tcl&amp;dsqDb=Catalog&amp;dsqPos=0&amp;dsqSearch=%28ObjectNumber%3D%27ABDUA%3A1222%27%29">ABDUA:1222</a>]]></dcterms:identifier>
    <dcterms:coverage><![CDATA[Melanesia Papua.New.Guinea Torres.Straits]]></dcterms:coverage>
</rdf:Description><rdf:Description rdf:about="https://exhibitions.abdn.ac.uk/university-collections/document/1403">
    <dcterms:title><![CDATA[mace club ]]></dcterms:title>
    <dcterms:description><![CDATA[Cylindrical shaped head, in stone, with 7 spikes. Mounted on a wooden shaft, topped with basket-work and red and green feathers.]]></dcterms:description>
    <dcterms:abstract><![CDATA[Four charm boxes, silver with semi-precious stones Tibet, 19th century or earlier Cradle made by Willie Barron of Mintlaw (pre 1880). During the Bronze Age a new style of individual burial appeared, the body being either interred in a stone-lined cist, or, as a cremation, contained in an urn. Usually objects, including beakers or food-vessels, and other objects relating to the status of the person, accompanied the body. At Borrowstone, Kingswells, Newhills, Aberdeenshire, a sandy knoll was found to contain six cists dating from the Bronze Age. Each cist held a skeleton and a beaker, but in cist 5, with an adult male skeleton, was a particularly rich assemblage of grave goods, probably belonging to an archer. The flint assemblage from the cist is made from Buchan flint, pale grey to pale orange in colour. Six very fine arrowheads, one Green Low and six Conygar Hill type, all newly made, dominate the assemblage. There are also two unmodified blade knives, two retouched blade knives, a small flake, a worn round scraper and quartz. The grave goods indicate that this is an archer's grave. The arrowheads are very finely and, probably, specially made, and the beaker is of a type often found in archer's graves. Among the furniture of a house in the 18th or 19th century would be a cradle. It would often have been handed down within the family, and mothers were proud of how many many babies would have slept in it. This rocking crib is made from pine embellished with a panelled front, and the hood is made from a single curved board. There are two knobs on the front, and there would have been two more on the other side. Wool was tied around these and over the baby to prevent it from falling out of the cradle, and could be pulled to rock it. The cradle comes from Darnabo Farm, Fyvie, Aberdeenshire, and was made by Mr William Barron, Mintlaw, Aberdeenshire, about 1860 - 1880.]]></dcterms:abstract>
    <dcterms:creator><![CDATA[Macgregor, William Sir]]></dcterms:creator>
    <dcterms:date><![CDATA[Early: 1850 Late: 1899]]></dcterms:date>
    <dcterms:contributor><![CDATA[Macgregor, William Sir]]></dcterms:contributor>
    <dcterms:relation><![CDATA[ stone wood vegetable.fibre basketry feathers ]]></dcterms:relation>
    <dcterms:identifier><![CDATA[<a href="http://calms.abdn.ac.uk/Geology/dserve.exe?dsqIni=Dserve.ini&amp;dsqApp=Archive&amp;dsqCmd=Show.tcl&amp;dsqDb=Catalog&amp;dsqPos=0&amp;dsqSearch=%28ObjectNumber%3D%27ABDUA%3A942%27%29">ABDUA:942</a>]]></dcterms:identifier>
    <dcterms:coverage><![CDATA[Melanesia Papua.New.Guinea ]]></dcterms:coverage>
</rdf:Description><rdf:Description rdf:about="https://exhibitions.abdn.ac.uk/university-collections/document/1405">
    <dcterms:title><![CDATA[image symbol sceptre ]]></dcterms:title>
    <dcterms:description><![CDATA[Seated human figure in brass above a hook-shaped iron handle. Symbol of a Yoruba chief.]]></dcterms:description>
    <dcterms:creator><![CDATA[Macgregor, William Sir]]></dcterms:creator>
    <dcterms:source><![CDATA[ Yoruba]]></dcterms:source>
    <dcterms:date><![CDATA[Early: 1850 Late: 1904]]></dcterms:date>
    <dcterms:contributor><![CDATA[Macgregor, William Sir ]]></dcterms:contributor>
    <dcterms:relation><![CDATA[metal iron copper.alloy brass ]]></dcterms:relation>
    <dcterms:format><![CDATA[H(overall): 360 mm | H(figure): 255 mm W(figur ]]></dcterms:format>
    <dcterms:identifier><![CDATA[<a href="http://calms.abdn.ac.uk/Geology/dserve.exe?dsqIni=Dserve.ini&amp;dsqApp=Archive&amp;dsqCmd=Show.tcl&amp;dsqDb=Catalog&amp;dsqPos=0&amp;dsqSearch=%28ObjectNumber%3D%27ABDUA%3A63447%27%29">ABDUA:63447</a>]]></dcterms:identifier>
</rdf:Description></rdf:RDF>
