<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://exhibitions.abdn.ac.uk/university-collections/document/1256">
    <dcterms:title><![CDATA[mask]]></dcterms:title>
    <dcterms:description><![CDATA[One of two masks, in wood, unpainted. Thomson Catalogue (MS): &#039;Mask used by natives of Bali in Dances - and also in scenic representation like Punch or Harlequin. Mr Arthur Fraser.&#039;]]></dcterms:description>
    <dcterms:creator><![CDATA[Thomson, Alexander Mr]]></dcterms:creator>
    <dcterms:contributor><![CDATA[Thomson, Alexander ]]></dcterms:contributor>
    <dcterms:relation><![CDATA[ wood ]]></dcterms:relation>
    <dcterms:format><![CDATA[H: 170 mm W: 140 mm ]]></dcterms:format>
    <dcterms:identifier><![CDATA[<a href="http://calms.abdn.ac.uk/Geology/dserve.exe?dsqIni=Dserve.ini&amp;dsqApp=Archive&amp;dsqCmd=Show.tcl&amp;dsqDb=Catalog&amp;dsqPos=0&amp;dsqSearch=%28ObjectNumber%3D%27ABDUA%3A63260%27%29">ABDUA:63260</a>]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://exhibitions.abdn.ac.uk/university-collections/document/1257">
    <dcterms:title><![CDATA[figure mummy.cover ]]></dcterms:title>
    <dcterms:description><![CDATA[Egyptian mummy cover in wood. This would have been placed directly over the mummy and both then placed in a wooden coffin. The cover has very clear, painted hieroglyphs (Osiris, Mistress of the House, Singing Woman of Amon, Mut-Im -?-Ha ...) which are typical of those found at Karnak. It has been broken across the chest and repaired, and parts of the hands missing, probably pulled off for sale as tourist trinkets in the nineteenth century. Some areas varnished, possibly in nineteenth century.]]></dcterms:description>
    <dcterms:creator><![CDATA[Thomson, Alexander Mr]]></dcterms:creator>
    <dcterms:date><![CDATA[ Early: -1064 Late: -940 Period: 21 dynasty ]]></dcterms:date>
    <dcterms:contributor><![CDATA[Thomson, Alexander Mr]]></dcterms:contributor>
    <dcterms:relation><![CDATA[ wood paint ]]></dcterms:relation>
    <dcterms:format><![CDATA[ L: 1640 mm W(at shoulder): 470 mm]]></dcterms:format>
    <dcterms:identifier><![CDATA[<a href="http://calms.abdn.ac.uk/Geology/dserve.exe?dsqIni=Dserve.ini&amp;dsqApp=Archive&amp;dsqCmd=Show.tcl&amp;dsqDb=Catalog&amp;dsqPos=0&amp;dsqSearch=%28ObjectNumber%3D%27ABDUA%3A21781%27%29">ABDUA:21781</a>]]></dcterms:identifier>
    <dcterms:coverage><![CDATA[Africa Egypt ]]></dcterms:coverage>
</rdf:Description><rdf:Description rdf:about="https://exhibitions.abdn.ac.uk/university-collections/document/1258">
    <dcterms:title><![CDATA[sculpture carving stupa fragment ]]></dcterms:title>
    <dcterms:subject><![CDATA[Buddha]]></dcterms:subject>
    <dcterms:description><![CDATA[Carved schist relief representing amorini Amorini symbolise love, like cherubs, and are generally naked, wearing only necklaces and anklets. They originated in Greece and spread throughout Western Asia, becoming particularly popular in Gandhara. The amorini are shown holding an undulating garland on their shoulders, with bunches of fruit hanging at the bottom of the loops, while gods and goddesses occupy the spaces above.]]></dcterms:description>
    <dcterms:creator><![CDATA[Reid, Alexander.J.Forsyth Gen Sir]]></dcterms:creator>
    <dcterms:source><![CDATA[Gandhara style]]></dcterms:source>
    <dcterms:date><![CDATA[Early: 200 Late: 400 Period: Kushana period ]]></dcterms:date>
    <dcterms:contributor><![CDATA[Reid,Alexander.J.Forsyth Gen Sir ]]></dcterms:contributor>
    <dcterms:relation><![CDATA[stone schist ]]></dcterms:relation>
    <dcterms:format><![CDATA[H: 565 mm W: 315 mm ]]></dcterms:format>
    <dcterms:identifier><![CDATA[<a href="http://calms.abdn.ac.uk/Geology/dserve.exe?dsqIni=Dserve.ini&amp;dsqApp=Archive&amp;dsqCmd=Show.tcl&amp;dsqDb=Catalog&amp;dsqPos=0&amp;dsqSearch=%28ObjectNumber%3D%27ABDUA%3A26000%27%29">ABDUA:26000</a>]]></dcterms:identifier>
    <dcterms:coverage><![CDATA[Asia Pakistan Swat.Valley Morah.Pass Nulbanda Swat.Valley Morah.Pass ]]></dcterms:coverage>
</rdf:Description><rdf:Description rdf:about="https://exhibitions.abdn.ac.uk/university-collections/document/1260">
    <dcterms:title><![CDATA[sculpture carving stupa fragment]]></dcterms:title>
    <dcterms:subject><![CDATA[Buddha]]></dcterms:subject>
    <dcterms:description><![CDATA[Head of the Buddha with topknot (ushnisha) and tuft (urna), halo missing.]]></dcterms:description>
    <dcterms:creator><![CDATA[ Reid,Alexander.J.Forsyth Gen Sir]]></dcterms:creator>
    <dcterms:source><![CDATA[Gandhara style]]></dcterms:source>
    <dcterms:contributor><![CDATA[Reid,Alexander.J.Forsyth Gen Sir ]]></dcterms:contributor>
    <dcterms:relation><![CDATA[ stone schist ]]></dcterms:relation>
    <dcterms:format><![CDATA[H: 220 mm W: 110 mm ]]></dcterms:format>
    <dcterms:identifier><![CDATA[<a href="http://calms.abdn.ac.uk/Geology/dserve.exe?dsqIni=Dserve.ini&amp;dsqApp=Archive&amp;dsqCmd=Show.tcl&amp;dsqDb=Catalog&amp;dsqPos=0&amp;dsqSearch=%28ObjectNumber%3D%27ABDUA%3A26016%27%29">ABDUA:26016</a>]]></dcterms:identifier>
    <dcterms:coverage><![CDATA[ Asia Pakistan Swat.Valley Morah.Pass Nulbanda Swat.Valley Morah.Pass ]]></dcterms:coverage>
</rdf:Description><rdf:Description rdf:about="https://exhibitions.abdn.ac.uk/university-collections/document/1261">
    <dcterms:title><![CDATA[sculpture carving stupa fragment ]]></dcterms:title>
    <dcterms:subject><![CDATA[ amorini]]></dcterms:subject>
    <dcterms:description><![CDATA[Carved schist relief representing amorini. Amorini symbolise love, like cherubs, and are generally naked, wearing only necklaces and anklets. They originated in Greece and spread throughout Western Asia, becoming particularly popular in Gandhara. The amorini are shown holding an undulating garland on their shoulders, with bunches of fruit hanging at the bottom of the loops, while gods and goddesses occupy the spaces above.]]></dcterms:description>
    <dcterms:creator><![CDATA[Reid, Alexander.J.Forsyth Gen Sir]]></dcterms:creator>
    <dcterms:date><![CDATA[ Early: 200 Late: 400 Period: Kushana period ]]></dcterms:date>
    <dcterms:contributor><![CDATA[Reid,Alexander.J.Forsyth Gen Sir ]]></dcterms:contributor>
    <dcterms:relation><![CDATA[stone schist ]]></dcterms:relation>
    <dcterms:format><![CDATA[H: 290 mm W: 440 mm]]></dcterms:format>
    <dcterms:identifier><![CDATA[<a href="http://calms.abdn.ac.uk/Geology/dserve.exe?dsqIni=Dserve.ini&amp;dsqApp=Archive&amp;dsqCmd=Show.tcl&amp;dsqDb=Catalog&amp;dsqPos=0&amp;dsqSearch=%28ObjectNumber%3D%27ABDUA%3A26009%27%29">ABDUA:26009</a>]]></dcterms:identifier>
    <dcterms:coverage><![CDATA[Asia Pakistan Swat.Valley Morah.Pass Nulbanda Swat.Valley Morah.Pass]]></dcterms:coverage>
</rdf:Description><rdf:Description rdf:about="https://exhibitions.abdn.ac.uk/university-collections/document/1262">
    <dcterms:title><![CDATA[sculpture carving stupa fragment ]]></dcterms:title>
    <dcterms:subject><![CDATA[amorini]]></dcterms:subject>
    <dcterms:description><![CDATA[Carved schist relief representing amorini. Amorini symbolise love, like cherubs, and are generally naked, wearing only necklaces and anklets. They originated in Greece and spread throughout Western Asia, becoming particularly popular in Gandhara. The amorini are shown holding an undulating garland on their shoulders, with bunches of fruit hanging at the bottom of the loops, while gods and goddesses occupy the spaces above.]]></dcterms:description>
    <dcterms:creator><![CDATA[Reid,Alexander.J.Forsyth Gen Sir]]></dcterms:creator>
    <dcterms:source><![CDATA[Gandhara style]]></dcterms:source>
    <dcterms:date><![CDATA[200 Late: 400 Period: Kushana period ]]></dcterms:date>
    <dcterms:contributor><![CDATA[Reid,Alexander.J.Forsyth Gen Sir ]]></dcterms:contributor>
    <dcterms:relation><![CDATA[stone schist ]]></dcterms:relation>
    <dcterms:format><![CDATA[ H: 285 mm W: 345 mm ]]></dcterms:format>
    <dcterms:identifier><![CDATA[<a href="http://calms.abdn.ac.uk/Geology/dserve.exe?dsqIni=Dserve.ini&amp;dsqApp=Archive&amp;dsqCmd=Show.tcl&amp;dsqDb=Catalog&amp;dsqPos=0&amp;dsqSearch=%28ObjectNumber%3D%27ABDUA%3A26010%27%29">ABDUA:26010</a>]]></dcterms:identifier>
    <dcterms:coverage><![CDATA[Asia Pakistan Swat.Valley Morah.Pass Nulbanda Swat.Valley Morah.Pass ]]></dcterms:coverage>
</rdf:Description><rdf:Description rdf:about="https://exhibitions.abdn.ac.uk/university-collections/document/1263">
    <dcterms:title><![CDATA[ sculpture carving stupa fragment ]]></dcterms:title>
    <dcterms:subject><![CDATA[Buddha]]></dcterms:subject>
    <dcterms:description><![CDATA[Fragment of a statue, head of the Buddha, with topknot, tuft and moustache, and part of the halo. Old label: 5<br />
]]></dcterms:description>
    <dcterms:abstract><![CDATA[Carved schist head of the Buddha A distinctive mark of the Buddha is the &#039;ushnisha&#039;, the lump at the summit of his head that gave space for the supreme wisdom that the Buddha attained at his Enlightenment. In Gandharan sculpture this feature was disguised by hair, like the topknot worn by Apollo in Greek sculpture.]]></dcterms:abstract>
    <dcterms:creator><![CDATA[Reid,Alexander.J.Forsyth Gen Sir]]></dcterms:creator>
    <dcterms:source><![CDATA[ Gandhara style]]></dcterms:source>
    <dcterms:contributor><![CDATA[Reid,Alexander.J.Forsyth Gen Sir ]]></dcterms:contributor>
    <dcterms:relation><![CDATA[stone schist ]]></dcterms:relation>
    <dcterms:format><![CDATA[H: 135 mm W: 85 mm]]></dcterms:format>
    <dcterms:identifier><![CDATA[<a href="http://calms.abdn.ac.uk/Geology/dserve.exe?dsqIni=Dserve.ini&amp;dsqApp=Archive&amp;dsqCmd=Show.tcl&amp;dsqDb=Catalog&amp;dsqPos=0&amp;dsqSearch=%28ObjectNumber%3D%27ABDUA%3A26005%27%29">ABDUA:26005</a>]]></dcterms:identifier>
    <dcterms:coverage><![CDATA[Asia Pakistan Swat.Valley Morah.Pass Nulbanda Swat.Valley Morah.Pass ]]></dcterms:coverage>
</rdf:Description><rdf:Description rdf:about="https://exhibitions.abdn.ac.uk/university-collections/document/1264">
    <dcterms:title><![CDATA[sculpture carving stupa fragment ]]></dcterms:title>
    <dcterms:subject><![CDATA[ Buddha]]></dcterms:subject>
    <dcterms:description><![CDATA[Carved schist head of the Buddha The halo, which came to be an inevitable tribute for all Buddhist divinities, probably derives from the ancient Iranian convention of symbolising the celestial light of Ahura Mazda with a disc or sun. From this source, the halo found its way into early Christian and Buddhist art as a means of signifying the divine radiance emanating from the person of Christ or the Buddha.]]></dcterms:description>
    <dcterms:contributor><![CDATA[ Reid,Alexander.J.Forsyth Gen Sir ]]></dcterms:contributor>
    <dcterms:relation><![CDATA[stone schist ]]></dcterms:relation>
    <dcterms:format><![CDATA[ H: 250 mm W: 270 mm ]]></dcterms:format>
    <dcterms:identifier><![CDATA[<a href="http://calms.abdn.ac.uk/Geology/dserve.exe?dsqIni=Dserve.ini&amp;dsqApp=Archive&amp;dsqCmd=Show.tcl&amp;dsqDb=Catalog&amp;dsqPos=0&amp;dsqSearch=%28ObjectNumber%3D%27ABDUA%3A26002%27%29">ABDUA:26002</a>]]></dcterms:identifier>
    <dcterms:coverage><![CDATA[ Asia Pakistan Swat.Valley Morah.Pass Nulbanda Swat.Valley Morah.Pass ]]></dcterms:coverage>
</rdf:Description><rdf:Description rdf:about="https://exhibitions.abdn.ac.uk/university-collections/document/1265">
    <dcterms:title><![CDATA[sculpture carving stupa fragment ]]></dcterms:title>
    <dcterms:subject><![CDATA[head]]></dcterms:subject>
    <dcterms:description><![CDATA[Fragment of a statuette, turbanned head with halo, possibly of Boddhisatva Maitreya. Inscription: Old label: 27]]></dcterms:description>
    <dcterms:creator><![CDATA[ Reid,Alexander.J.Forsyth Gen Sir]]></dcterms:creator>
    <dcterms:source><![CDATA[  Gandhara style]]></dcterms:source>
    <dcterms:date><![CDATA[ Early: 200 Late: 400 Period: Kushana period]]></dcterms:date>
    <dcterms:contributor><![CDATA[Reid,Alexander.J.Forsyth Gen Sir ]]></dcterms:contributor>
    <dcterms:relation><![CDATA[ stone schist ]]></dcterms:relation>
    <dcterms:format><![CDATA[ H: 100 mm W: 80 mm ]]></dcterms:format>
    <dcterms:identifier><![CDATA[<a href="http://calms.abdn.ac.uk/Geology/dserve.exe?dsqIni=Dserve.ini&amp;dsqApp=Archive&amp;dsqCmd=Show.tcl&amp;dsqDb=Catalog&amp;dsqPos=0&amp;dsqSearch=%28ObjectNumber%3D%27ABDUA%3A26027%27%29">ABDUA:26027</a>]]></dcterms:identifier>
    <dcterms:coverage><![CDATA[Asia Pakistan Swat.Valley Morah.Pass Nulbanda Swat.Valley Morah.Pass]]></dcterms:coverage>
</rdf:Description><rdf:Description rdf:about="https://exhibitions.abdn.ac.uk/university-collections/document/1266">
    <dcterms:title><![CDATA[ sculpture carving stupa fragment ]]></dcterms:title>
    <dcterms:subject><![CDATA[ Atlant]]></dcterms:subject>
    <dcterms:description><![CDATA[Fragment of a relief showing a kneeling Atlant with wings and elephantine feet (larger of the two panels on display in the museum). Inscription: Old label: 1<br />
This motif has ancient near Eastern origins and is found in early Indian and Greek art. In Gandhara, the Atlantes range from crouching or squatting youths to bearded old men and, unlike classical Atlantes, can have wings and elephant feet. ]]></dcterms:description>
    <dcterms:creator><![CDATA[ Reid,Alexander.J.Forsyth Gen Sir]]></dcterms:creator>
    <dcterms:source><![CDATA[Gandhara style]]></dcterms:source>
    <dcterms:contributor><![CDATA[ Reid,Alexander.J.Forsyth Gen Sir ]]></dcterms:contributor>
    <dcterms:relation><![CDATA[stone schist]]></dcterms:relation>
    <dcterms:format><![CDATA[H: 177 mm W: 250 mm ]]></dcterms:format>
    <dcterms:identifier><![CDATA[<a href="http://calms.abdn.ac.uk/Geology/dserve.exe?dsqIni=Dserve.ini&amp;dsqApp=Archive&amp;dsqCmd=Show.tcl&amp;dsqDb=Catalog&amp;dsqPos=0&amp;dsqSearch=%28ObjectNumber%3D%27ABDUA%3A26001%27%29">ABDUA:26001</a>]]></dcterms:identifier>
    <dcterms:coverage><![CDATA[Asia Pakistan Swat.Valley Morah.Pass Nulbanda Swat.Valley Morah.Pass ]]></dcterms:coverage>
</rdf:Description></rdf:RDF>
